"My musical discovery of 2016!" Tom Robinson BBC6 Music
58 Fordwych Road in Kilburn, London was where Nick spent the first few years of life. It was also a hang out for Nick's parents' bohemian friends. The 58 Fordwych Road Tour recteates that flat in 2019 and Nick is airing some seminal acoustic classics as a tribute to his dad and his contempories at a pivotal point in music history. Nick is playing gems by Davy Graham, Bert Jansch, John Renbourne, Jackson C. Frank, Sandy Denny, Paul Simon et al. As well as the one and only Roy Harper of course!
Son of the aforementioned legendary UK singer-songwriter Roy Harper, Nick was born in London and raised in Wiltshire. Having played the guitar from the age of 10 and surrounded by the likes of Keith Moon, Jimmy Page, Robert Plant and Dave Gilmour as he grew up, it was no surprise when Nick made his recording debut on his father's Whatever Happened to Jugula? in 1985.
Nick's talent and energy entranced Roy's fans and it was inevitable that he would begin touring and recording in his own right. The 1994 EP Light at the End of the Kennel was swiftly followed by his powerful 1995 debut long player Seed prompting The Independent to describe him as "hugely talented".
After a chance meeting with Squeeze frontman and songwriter Glenn Tilbrook in 1996, Tilbrook was so impressed that he offered Nick a job playing with and supporting Squeeze and promptly signed Nick to his own label, Quixotic Records. Following tours in the UK, USA and Japan, Nick recorded the 1998 album Smithereens with Tilbrook as producer. This album and subsequent 40 date solo tour, including dates in New York and Glastonbury, confirmed Nick as a formidable talent in his own right. "If imagination, energy and bags of talent were the only factors in making a successful pop career, few would deny that Squeeze man Glenn Tilbrook has backed a winner in Nick Harper…Splendid stuff" - MOJO magazine.
He teamed up with Tilbrook again on 2000's highly acclaimed album Harperspace. This is the album that confirmed his position at the forefront of a new generation of British Acoustic Performers. "Nick Harper has a quality that stands head and shoulders above anything else you are likely to encounter…The Verse Time Forgot from the new album 'Harperspace' is as close to a perfect song as you are likely to get." Edinburgh Evening News
To call Nick a superlative singer/songwriter could put his highly lauded guitar talent in the shade, and to call him a guitarist's guitarist might slight his distinctive, soulful voice and passionate songs. Not forgetting the wild ride that is one of his live shows - from personal introspection to biting political satire via a charmingly caustic wit that would make Groucho Marx proud. He often segues from his own compositions to well-loved covers he makes his own - he takes on Presley, Zappa, Jeff Buckley, Led Zeppelin, Monty Python and Public Enemy (yes, on an acoustic guitar). He also has the alarming ability to break guitar strings almost by sheer force of will… and then change them without dropping a beat. For over a decade, he has been dazzling audiences and reviewers alike with this heady mix of virtuosity, boyish charm, showmanship and sheer bravado. His talent and showmanship were recognised in 2003 with a (Glasgow) Herald Fringe Angel award for excellence in live music during his Edinburgh Festival run. "Harper has so much musicianship in him that it just leaks out all over the place." The Times
Between albums Nick is known for touring with a vengeance - he's now appeared at Glastonbury Festival six times - but also for his charity work devoting energy to fundraising projects as one of the organisers of Avebury Rocks in Wiltshire, raising substantial funds for a hospice near his home. In 2007 Harper's charity single Blue Sky Thinking from the album Miracles for Beginners went to No.1 in the iTunes charts with proceeds going to the Love Hope Strength Foundation (LHSF). Nick had just returned from Nepal after helping the foundation set a new world record for the highest gig on Earth near Mt Everest Base Camp. Nick has been on two further treks with LHSF in Peru and Tanzania fundraising for local medical centres.
'The Last Guitar Tour' saw Nick touring
the UK throughout spring 2010 supporting his 7th studio album 'The Last Guitar' This album had more than a few songs inspired by Nick's travels and treks with Love Hope Strength and with legendary producer Tchad Blake at the helm the album took on a new, bold and forthright sonic quality.
After the success of 'The Last Guitar', Nick once again teamed up with Tchad Blake to produce a classic recording, 'Riven' in 2013. Nick also called on old friends Jeremy Stacey ('Blood Songs'), Ben Jones ('Harperspace') Jon leveller ('Blood Songs') Jakko Jakksyk and his daughter Lily to add to his own performances.
2014 saw Nick go right back to the beginning and produce a recording made in 9 days of 9 songs called NIX, his 9th studio album. This album pleased long time fans of Harper for its unadulterated style, featuring Nick on acoustic guitar and vocals with nothing else added- that is more immediate and closer to his live performances.
After leaving a streak of rip-roaring, celebratory shows in 2016, road-testing his back catalogue of 12 albums, Nick Harper & The Wilderness Kids (aka Port Erin) returned with a new album Lies! Lies! Lies! and UK tour for 2017.
Amidst a backdrop of flags being changed and mottos applied, ‘’350 million reasons why, written on the side of the bus’’, saw Nick and The Kids nailing their colours to the mast.
The album was recorded in Studio La Fabrique, France (Radiohead- Moon Shaped Pool, Nick Cave and The Bad Seeds-Push the Sky Away) with the legendary producer Tchad Blake (The Black Keys, Pearl Jam, T-Bone, Peter Gabriel). Blake brought his masterful touch to the unceasingly creative cauldron of Nick, his songs and now, his band.
‘The Wilderness Kids’ met up with the renowned solo acoustic singer-songwriter at a record store day event, where they jammed on some of Nick’s tracks from his ‘Best of’ triple LP set ‘The Wilderness Years’. Nick immediately realised the potential, promptly picked up a baritone electric guitar and the pace hasn’t let up since. The exciting energy and chemistry between the 4 had Nick’s fans in rapture and the combination of the much-loved songwriter added to the zest present in this new gang, made capturing the zeitgeist in the words and music of the new album inevitable. Lies! Lies! Lies! is an intelligent, yet exuberant album rooted very much in the now.
Nick started 2018 on tour playing songs requested by fans who had emailed in to Harperspace. Dubbed the '100 Things' Tour it was very popular with Nick's long-standing fans and unearthed some 'forgotten' gems from the back catalogue for welcome airings. Instead of a show formulated away from the fans and presented to the public en masse, this tour has been formulated with the fans and then presented on a more individual, intimate basis.
This was a precursor to Nick's first outing as an exponent of the spoken word! Nick's poem 'A Wiltshire Tale' grew into an epic paean for his home county and toured the South West in the Spring and Summer of 2018.
Nick's other recent work has seen him appear in the studio alongside Lana Del Ray playing on her cover of Leonard Cohen's hit Chelsea Hotel no 2 from her acclaimed 2014 album Ultraviolence as well as featuring on recordings by Newton Faulkner, Steven Wilson (Porcupine Tree) and The Levellers.
After 10 studio albums, a double live CD, 2 EPs
(including Instrumental, a stunning display of his guitar
talents) and a rockumentary style DVD 'Love is Music' Nick's work is still as fresh and vital as that of
his first solo release in 1994 but as evidenced by his highly personal 2004 "family album" Blood Songs, he still has time to sing about the most important things in his world - family, friends, love and ife.
THE REVIEWERS SPEAK:
"Frank Zappa would have been impressed… he deserves
to become a major figure in his own right."
- Robin Denselow, The Guardian, 14 June 2000
"Nick Harper has successfully emerged from beneath that paternal shadow in recent years, gaining widespread recognition as a gifted singer songwriter in his own right, as well as a singularly skilled and inventive guitarist."
- Sue Wilson, Metro (Scotland), August 2001
"Double Life - two CDs capturing his concert performances in all their prodigiously rocking, soulfully operatic, tenderly concerned, politically disaffected, waggishly witty, virtuosic magnificence… New listeners should prepare to be captivated by a colossal talent." *****
- Herald (Glasgow), May 2002
"Harper assumed the role of Alice. In place of verse/chorus/verse he took us through the looking glass into a kaleidoscopic world of his own making. It's as much about the exploration of a guitar as the playing."
- Michael Mee, Berwick Advertiser, 26 April 2002
"Nick Harper is a force of nature… the sheer weight of ideas in his music makes him irresistible and unstoppable... Harper the performer is a fearsome weapon. Phenomenal? You bet your life."
- Southern Reporter, 16 May 2002
"If you've never seen [Harper] live, you're missing out on one of the musical phenomenons of our age."
- Rob Adams, Herald (Glasgow), 17 October 2003
"[Blood Songs] finds [Harper] coming closest so far to capturing with a band the energy and sheer good-to-be-aliveness that have made his one man and a guitar concerts such devout places of worship for believers over the past decade." ****
- Herald (Glasgow), 28 February 2004
"Album of the Month: Son of '70s poet/singer Roy
Harper, dubbed 'the acoustic Hendrix' and the 'English Jeff
Buckley', Nick Harper's fourth studio album [Blood Songs] rises
above this (albeit favourable) baggage… With this amount of
melodic and sonic ingenuity, Nick Harper could be dubbed 'the
new Beck' - but that would be a bigger compliment to Mr. Hansen
than it would be to Harper."
- Guitar (UK), April 2004
"Dylan for the iPod generation...Betjemen with
- Guitarist (UK), February 2006
"One of the finest guitarists of his generation,
his soaring vocal range and propensity for epic song place him
somewhere between Rufus Wainright and Jeff Buckley. Thus far,
however, putting his musical freedom before the demands of career,
his talents have gone largely unrewarded. Miracles For Beginners,
his most focused, warm and triumphant album to date, could right
- Mojo, July 2007
"If anything Nick Harper is the closest thing we've
got to Lewis Carroll. His songs are the musical equivalent of
Carroll's Looking Glass, peer through and you find a fantastical,
magical world. Not always sugar sweet but forever different."
- Maverick, August 2007
As well as being a highly accomplished singer and songwriter, Harper is also a hugely talented instrumentalist, capable of coaxing the most glorious of sounds from the apparently humblest of guitars and able to turn his hand to a bewildering mix of musical genres. - The Buteman 2013